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Column  JAM ‘TIL DAWN*

 


JAM ‘TIL DAWN*

A Column by Toni Brown

 

FESTIVALS!  

Spring is here—and with the promise of better weather comes the anticipation of the Festival Season. It has been an annually daunting task to list all of the events that are being scheduled. But with the Internet playing such an active part in unifying the musical experience, it is no longer critical for one person to pass on the news of great musical places to be! So get your mouse firmly in hand (a cup of strong coffee in the other), and set your cursor on search! Now that was easy, wasn’t it?

 

Seriously, a great place to start would be a visit to www.jambase.com. They have an extensive listing of national and local festivals, as well as tour listings for most bands you’re likely going to want to see. Other sites to check out can be found below.

 

JAMBANDS

An Historic Overview From An Interested Participant

 

In an era when the state of the music world is in flux, it is comforting to know that there is one market that continues to evolve. With inspiration rooted in the psychedelic improvisational music of the Grateful Dead, the jamband scene maintains solid footing. In fact, it continues to emerge. Having never relied on commercial trappings such as radio airplay, CD sales or publicity blitzes, jambands continue to tour during a time when everything else in the music industry has fallen flat. The organic growth of this once underground music and its burgeoning scene has a direct link to the successful use of the Internet. Cyber capabilities provide limitless scope for artists to pass along information, upping the word-of-mouth ante a thousand-fold.

 

In addition to the huge pass-along potential of the Internet, jambands are joining forces to create unique concert situations in their efforts to reach larger audiences. In Orlando, Dave Mann of the band funkUs has organized the local scene, calling it Jambando (http://www.jambando.com/). The concept is not unique as bands begin to share their audiences, putting aside age-old artistic envy. A successful local jamband will invite bands from other regions to perform in front of their local fans. The guest performers will in turn invite the host band to their town. A musical bridge. Tours are being built around this camaraderie, and the jamband scene continues to do more than flourish, it is gaining mainstream acceptance as a growing and respected musical community.

 

Part of the jamband success is due to the fluidity of individual musicians to interact on extreme musical planes. Improvising in intricate situations outside of the standard jazz timings of previous decades, pushing the basic structure of rock ‘n’ roll itself, the music being played by these musical enlightenists has limitless potential. Fans are treated to new approaches by the same bands night after night. Jambands are insuring that they’ll maintain interested participants by continuously throwing musical surprises at their audiences.

 

Jamband is a term used begrudgingly by many of the artists falling into the “category.” No one “enjoys” being stigmatized, but in such a vast musical world, it’s important to use labels to help sort through the diversity. Otherwise we’d all be wandering endlessly in circles, searching for the musical fuel that best feeds our souls.

 

The jamband family has grown dramatically since the earliest years of improvisational music. Footed firmly in jazz, then filtered through the Beats and then the psychedelic era, the music being delivered now is its own hybrid of sound. From the moment bands like Phish, The Spin Doctors, Dave Matthews, Widespread Panic, moe., String Cheese Incident, Leftover Salmon hundreds of other amazing bands stepped beyond the fringe, a new generation took on a life of its own. Ultimately founded on imitation, the music is now steeped in inspiration, and from that point, continues to inspire. I, for one, look forward to the continuing evolution!

 

During my 20-plus years with Relix Magazine, I was able to provide thousands of bands with the exposure that helped them continue the journey. The Jamband scene is a direct descendant of the Deadhead scene, and the evolution continues to amaze me. –Toni Brown

 

May 29: Fringe Fest, Orlando, FL, hosts Jambando featuring Toni Brown, Kynda, funkUs, and more bands to be announced. http://www.jambando.com/

BILL WALTON’S DEADHEAD DRIBBLE…

 

Football Hall of Famer and admitted Dead Head, Bill Walton, is being criticized for his continuous commentary on the Grateful Dead with whom he’s had a long-time friendship. A confidential ESPN memo reads, “If we could all make an effort to help Bill reduce the number of references to Grateful Dead lyrics, concerts he’s attended, and past and present band members throughout an average broadcast, it would go a long way toward bringing more viewers to Fridays [ESPN’s Friday Night NBA coverage].”

 

The memo continued by spouting demographics, and tossing in lines like, “This guy’s, what, fifty-one? Hey Bill, the summer of Love ended thirty-three years ago. Time to move on, pal.”

 

The final straw seemed to be during the recent Bulls-Wizards matchup that featured Michael Jordan’s last appearance in Chicago. Toward the end of the game, Walton managed to shoehorn approximately 168 Grateful Dead mentions into a seemingly endless monologue. Go to the site and read this entire newsreport at The Sports Rag’s site: http://www.thesportsrag.com/008_Bill_Walton.html.

 

 

 

BAND SPOTLIGHT

Kynda
Central Florida

 

Central Florida has been gaining attention as a hotbed of jamband activity. No band better exemplifies improvisational exploration than Kynda.

 

Originally known by the moniker 4:20, Kynda changed its name in 2002 as their popularity took hold. Significant changes in lineup brought the solid quartet together, and the organic element of cohesion seems to have taken root.

 

Kynda is deeply influenced by a variety of jamband traditions, most notably Phish and the Grateful Dead. But they shouldn't be pigeonholed by using comparisons. This band has its own sound and its own notable material.

With a rotating and lively repertoire, their originals stand out with catchy lyrical hooks and inspiring musical phrasings. The band's danceable grooves have made them popular on the local scene, and their expanded touring schedule is getting them in front of a farther-reaching audience.

 

Play Through, Kynda's first official live CD, is a good representation of their performance ability, but since its release, there has been a remarkable growth in the band's evolution. The band is moving through its paces with rapid fluidity, proof of solid commitment and hard work.

As an ensemble, there is a natural dexterity between the players. Each member has his own notable strength, and every time they hit a simultaneous stride, the audience breaks into a sea of face-splitting grins. Their growing fan-base is more like a family, dedicated to helping the energy morph into bigger and better things.

 

Guitarist Tony Hume is the band’s spokesman, taking the role of talking to the audience with confident humor. His playing has been compared to Frank Zappa, but he takes his sound from whimsical realms to serious places, and weaves new places everywhere in between. A serious songwriter, he has brought some of the band’s best material to the table.

 

Bassist Dan Goore feels the groove and adds more than an underlying bottom to the band’s sound; he gives it soul. 

 

Drummer Jason Herold supplies a dependable rhythm so the music can cut through ordinary tempos and reach new places. His smile is infectious, and he glows with affection for what he’s doing.

 

Kynda's organist, Pete Orenstein, said sincerely, "Every show has to be better than the last, doesn't it?" This is definitely a theory the band seems to take seriously. And no one moreso than Orenstein, whose songs are particularly catchy and wonderful. His B-3 is the breath of the band, and the shy gaze peeking out from under his fedora hat cannot hide the strength of his performance or his depthful vocal style.


Kynda is currently working on their first studio project.

http://www.kynda.com/

 

*May 23: Kynda will be making a special trip to New Hope, PA to appear at the legendary John & Peter's, Main Street, New Hope, PA with the Toni Brown Band
9:00PM


CONCERTS AND OTHER NEWS

 

REX FOUNDATION BENEFIT CONCERT

The Grateful Dead’s charity arm, Rex Foundation, celebrated 20 years of community service and grant making this past March 6. Grateful Dead tribute band, Dark Star Orchestra, was joined by Donna Jean Godchaux Mackay for this special event.

 

DONNA JEAN RETURNS

Former singer with the Grateful Dead circa 1973-1978-ish, Donna Jean has a new album out and has reunited the Heart Of Gold Band. For more info on the band and CD, go to www.heartofgoldband.com.

 

DARK STAR ORCHESTRA ROLLED INTO TOWN….

Dark Star Orchestra brought Deadheads together during their winter tour, and none were happier than the Orlando, Florida locals. The House of Blues set the stage, and the room was filled with transplanted Dead Heads, touring DSO Heads, jamband fans and older folks who just missed the era. For those unfamiliar with DSO, they select a show from the Grateful Dead’s extensive repertoire, and deliver it almost verbatim. The set on this February night was from 2/22/73, and featured some wonderful moments in a solid setlist. Greatest Story Ever Told, TLEO, El Paso, Bird Song, Mexicali Blues, Looks Like Rain, Tennessee Jed, Box of Rain, Playing In The Band and set two’s U.S. blues, Me & My Uncle, Dark Star, Eyes of the World, China Doll, Around & Around, GDTRFB, One More Saturday Night and an encore of Casey Jones. They came back out and added China Cat>Rider to close the night. Ahhhhhhhh………………..

 

 

TOMORROW’S SECRETS

August 14-15: TOMORROW’S SECRETS Presents the Seventh Annual Spiritual & Holistic Health Summer Festival, Praalsville Mill, Rte. 29, Stockton, New Jersey http://www.tomorowssecrets.com/
Featuring holistic healers, aromatherapy, psychic readers, spiritualists, and a variety of local musicians, including the Toni Brown Band, Living Earth, Oh Brother, Where Are We?, Eve Rantzer, Peter Spencer and others to be announced.
www.tomorrowssecrets.com

SIMPLE LIVING INSTITUTE

This Orlando, Florida-based organization recently held a benefit at Will’s Pub in Orlando. Featuring many local musicians and guest speakers, these kind folks are doing their part to keep things green. Simple Living Institute is dedicated to demonstrating, teaching and researching organic farming methods, wellness and sustainable living. http://www.simplelivinginstitute.org/

 

DEADHEAD GATHERING IN ORLANDO-HARD ROCK VAULT

September 9: The Hard Rock Vault, International Drive, Orlando, Florida, will host a special Dead Head gathering presented by Toni Brown and Les Kippel. Special musical performances and an extensive Art Show will make this a memorable reunion of family and friends. Watch for more details. http://www.tonibrownband.com/

 

JERRY JAMS, JERRY CARES, A Charitable Tribute To Jerry Garcia

The series of concerts are augmented by CD Tributes to Jerry Garcia in which time and talent is donated. Their first release features Railroad Earth, Bernie Worrell and the Woo Warriors, Robert Randolph & the Family Band, Swampadelica, the VooDudes, Lo Faber Band, and many others. Their next project, slated for 2005 release, is planned as a three-CD package featuring a wide range of performers doing tribute songs to Garcia.

For more information, check out www.JerseyJamsFund.org.

 

May 23: Kynda will appearing at the legendary John & Peter's, Main Street, New Hope, PA with the Toni Brown Band 9:00PM. http://www.tonibrownband.com/

May 29: Fringe Fest, Orlando, FL, hosts Jambando featuring Toni Brown, Kynda, funkUs, and more bands to be announced. http://www.jambando.com/

 

BOOK REVIEW

HOME BEFORE DAYLIGHT

My Life On The Road With The Grateful Dead

By Steve Parish with Joe Layden

(St. Martin’s Press)

 

This journey into the life of, in my opinion, the scariest guy in the Grateful Dead’s extended family, is a personal account told simply and honestly. Steve Parish starts with his early life lessons in New York, and goes into how he became part of the Dead’s road crew and Jerry Garcia’s confidant. This refreshing glimpse into the Dead’s world is only part of the story. Parish sheds light on himself, and anyone who has ever been in his line of fire will walk away with a better understanding of him as a person.

 

Many of his tales have not been in print before, and coming from such an imbedded member of the Grateful Dead crew, the skeletons are laid bare. Rich with history, I recommend this book to those close to the Dead family and to anyone who would like a personal glimpse into the life of the band beyond description! 

 

 

If you have any news you’d like to share, write me at JamTilDawn1@aol.com. If you have projects you’d like considered for review, please send them to: Toni Brown, P.O. Box 275, New Hope, PA 18938.

 

www.dead.net

www.Phish.com

www.WidespreadPanic.com

www.JamBase.com

www.jambando.com

www.kynda.com

www.funkus.com

www.jambands.com

www.relix.com

www.puremusic.com

 

Toni Brown was the publisher of Relix Magazine from 1980-2000. She is currently touring, writing and recording, and has released her third project, Rabbit Hole Soul. http://www.tonibrownband.com/

 

*Jam ‘Til Dawn Music is a trademark of Brown Communications ©2003.

Check out the Toni Brown website at: www.ToniBrownBand.com.

 

 

Toni Brown
http://www.ToniBrownBand.com

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