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Cannibal
& the Headhunters:
1960s Chicano
R&B Hitmakers
by
Mark Guerrero

The story of Cannibal & the Headhunters is nothing short of a
Cinderella story. Four teenage Chicanos from public housing
projects form a group and within a year have a national hit record
and are touring with the greatest pop group in history, the Beatles.
It all started in 1963 with Robert Rabbit Jaramillo and
Richard Scar Lopez singing together at Rabbits house in the
Ramona Gardens housing projects. His brother Joe Yo Yo
Jaramillo was taking out the trash and spontaneously put on a third
harmony. They became Bobby & the Classics. Meanwhile,
Frankie Cannibal Garcia, who had been singing around East L.A.
with various groups, was looking to form his own group. He
heard about Scar and the Jaramillo brothers and went to see them.
When they first sang together, they knew they had something special.
Cannibal, who got his nickname from his older brother Als gang
placa (nickname), became the front man because of his flamboyant
personality and showmanship. Their music of choice was R&B
and doo wop and their role models were black groups such as, the
Temptations and the Olympics. After passing an audition with
Rampart Records' owner Eddie Davis, they changed their name to
Cannibal & the Headhunters at Mr. Davis suggestion.
The song that became Cannibal & the
Headhunters' ticket to the big time was Land of a Thousand
Dances. It was an obscure record by Chris Kenner, who had
previously had a national hit with I Like It Like That.
Land of a Thousand Dances, which was written by Fats Domino
and Chris Kenner, was very popular in East L.A. and was performed by
many local bands. The Midniters, perhaps the most popular
Eastside group at the time, beat them to the punch by recording it
first, but it was Cannibal & the Headhunters who hit the
national charts with it. Their recording of the song is a
story in itself. The band that was going to provide the backing
tracks was Cannibals former band, the Rhythm Playboys, but there
was a disagreement between Eddie Davis and the bands manager,
Billy Cardenas. According to most accounts, Billy left the
studio with the band, which left Eddie with his vocal group and
running studio time. He called up the Blendells, who had
scored a hit with La La La La La. It was eleven oclock at
night and the Blendells were rehearsing for a Dick Clark tour when
they got the call. They packed up and went down to the studio
and in four takes cut the track, which was influenced by the beat of
Stevie Wonders Fingertips. Land of a Thousand
Dances by Cannibal & the Headhunters reached number 30 on the
Billboard charts in April of 1965.

With a hit record under their belt they hit the
road with the Motown Revue, where they performed with the likes of
Smokey Robinson and the Miracles and the Four Tops. They
performed in "Murray the K" shows in New York with artists
such as, the Temptations, Ben E. King, Marvin Gaye, Wilson Pickett,
Tom Jones, Gerry & the Pacemakers and Peter & Gordon.
They also went on Dick Clark tours and appeared on national
television on the rock & roll variety show , Hullabaloo.
Paul McCartney had apparently seen Cannibal & the Headhunters on
Hullabaloo and wanted them on the tour. Brian Epstein, the
Beatles manager, called up Eddie Davis and offered the
invitation. The next thing they knew they were flown to New
York and soon found themselves in Shea Stadium, filled with 55,000
screaming Beatle fans, Mick Jagger, Marvin Gaye and other major rock
celebrities backstage, and a personal welcome from the Beatles
themselves. They proceeded to tour with the Beatles for the
whole 1965 tour culminating with the Hollywood Bowl concert. It was
special for them because it was a homecoming. There were many
Chicanos from East L.A. present, including myself, to cheer them on.
I was there mainly because I was a great Beatle fan, but I remember
being proud of my fellow Eastside musical brothers for how well they
performed and the excitement they created with their singing and
choreography. This included their famous rowboat, where
they sit down one in front of the other and row forward to the beat.
They were the only artists among the opening acts to get the
attention of the crowd. In fact they did so well that Brian
Epstein kept telling Eddie Davis to tell his group to tone it down.
Later that year, with my band Mark & the Escorts, I had the
privilege of performing on the same bill with Cannibal & the
Headhunters at the Shrine Auditorium in Los Angeles at what was
called the West Coast Eastside Revue. All the top East
L.A. groups also performed such as, the Premiers, the Blendells and
the Midniters. An album of the same name was later released,
which included all the groups that performed in the show.
Previous to Cannibals fame, I remember being on the same bill
with the Rhythm Playboys at St. Alphonsus Auditorium in East L.A.
when he was their lead singer.
Cannibal & the Headhunters went on to record
a few more singles and an album, but did not hit the charts again.
Scar had left the group during the Beatle tour because his
girlfriend wanted him home. The other three continued on and
eventually disbanded in 1967. Cannibal formed a new backup
group with Eddie Serrano and George Ochoa and worked out of New York
City. George Ochoa had been lead singer in my band called
the Men from S.O.U.N.D. in 1966-67, and I had known Eddie
Serrano from his previous band, the Enchantments. In 1968, I
went to New York to visit my brother, Dan, who was living there.
While there, I visited with George and Eddie at the apartment they
were living in. Cannibal wasnt there that day, but George
and I went all over the city that night and had a good time.
It was pretty exciting for two 18 year olds from East L.A. to be
hanging out in the Big Apple.
Earlier this year, I was invited to attend a get
together in Pomona, California at the home of Lawrence Perez, lead
guitarist of the Premiers, in honor of Headhunter Joe Yo Yo
Jaramillo. In attendance were all four original Premiers, the
three surviving Headhunters (Cannibal passed away in 1996), Rudy
Valona of the Blendells, Andy Tesso of the Romancers, Chan Romero
and Billy Cardenas, who was manager of all the aforementioned bands,
including Mark & the Escorts. We brought our instruments
and jammed together, ate lunch and reminisced. The highlights
of the afternoon were when the Premiers played their hit Farmer
John and the Headhunters did a rousing rendition of Land of a
Thousand Dances, which included the rowboat in Lawrences
small living room. It was a pretty emotional experience to say
the least.
Cannibal & the Headhunters are an important
part of Chicano rock & roll history. Even though their
time in the spotlight was relatively brief, they proved they could
perform alongside the greatest artists in popular music and hold
their own. Their accomplishments give hope and inspiration to
minorities or anyone whose dreams seem unattainable due to their
less than ideal circumstances. Recently, Rabbit
Jaramillo and Scar Lopez have performed as Cannibal & the
Headhunters with a couple of new Headhunters and a great back up
band, led by Andy Tesso. I have a videotape of their 1998
performance at the House of Blues in Hollywood, where they brought
the house down. There is talk of a motion picture about their
incredible story, which I truly hope comes to fruition. After
35 years, their music is still available. In 1996, Sony Music
Special Products released Cannibal & the Headhunters, A
Golden Classics Edition. The CD contains 16 songs,
including Land of a Thousand Dances. They also appear as
part of compilation albums, such as the East Side Sound,
1959-1968 on Dionysus Records. This album, which also
contains songs by the Premiers and the Blendells can be ordered on
the internet at: www.dionysusrecords.com
or by calling (818) 848-2698.
Postscript: Joe Jaramillo passed away May 24, 2000 due to a
liver-related illness. He was buried May 27, 2000 at a service
attended by family, friends and many of his musical family.
The latter group included his brother Robert "Rabbit"
Jaramillo of Cannibal & the Headhunters, Lawrence Perez, John
Perez and George Delgado of the Premiers, Max Uballez and Andy Tesso
of the Romancers, Rudy Salas of Tierra, yours truly, and manager of
all the aforementioned musicians in the 1960s, Billy Cardenas.
Joe "Yo Yo" Jaramillo was a man with a great heart
and will be missed.
This
article is based on three interviews by Mark Guerrero with original
Headhunter Joe "Yo Yo" Jaramillo, which took place between
November 17, 1999 and February 24, 2000.
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Land
of a Thousand Dances
Cannibal
& the Headhunters 1965
Mark
Guerrero
P.O. Box 8808
Palm Springs, CA 92263
web
site: http://markguerrero.net/
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