[includes/toplogo3.html]

Homepage | Letter From The Publisher | CD Reviews | Articles | InterviewsLive ReviewsColumnsMusic NewsMusic Dish ArticlesMusic Dish CD Review | Press Releases  

Sponsors Page | Online Shopping Mall | Music Resources | Radio & Video SoundsCharitiesLegal Aid | Free Classified | Magazines & Ezines Artists/Bands CD's Retail & Wholesale Giveaways | Festivals

  Archives | Just Ads  | Comments | Message Board | Guestbook  | Contact Us  | Advertising Info | Webrings

CD Review   Beth Hart Leave The Light On
 

BETH HART - Leave The Light On
Koch Records



I first met Beth Hart in Syracuse, NY backstage at the 1996 Lollapalooza. Her band then, the Beth Hart Band, completely destroyed the second stage and she come off like a Janis Joplin vagabond with eye-bopping stage presence. Hart was touring on the back of her Atlantic debut Immortal. The record had uncanny innocents to it - filled with poetic melodies and textured with layered orchestration as well as punchy rock nuisances. So I was a bit surprised to see her grinding away at the piano in her 1999 video “LA Song” – a mix between Tori Amos and Alanis Morissette. This year her name was added to the credits on Deep Purple’s Bananas – I took note and checked out her new release.

With “Leave The Light On”, Hart is back to remind us to pull those old CDs from the shelf and give ‘em another spin. Writing through sheer intensity, Hart’s raspy gospel voice wraps around cuts like “If God Only Knew”, “I’ll Stay With You” and the roots-rocker “Lifts You Up”. Schooled at the feet of The Rolling Stones, The Faces and Jopin, Hart crafts catchy barnburners with magnetic appeal. Check out “Monkey Back”, “Lay Your Hands On Me” and “Sky Full Of Clover”, you can almost hear Jagger and company backing her up.

An accomplished pianist, Hart uses the ivories as subtle, almost suppressed building blocks, only dominating when invited in by the other instruments – including her voice. It all comes together in her lead single “Leave The Light On” a passionate mixture of scaled back bass, guitar, drums and piano. Etched in dark, confessional lyric Hart takes us on a winding passage through some of the more seedy alleys of her soul. Enter “Bottle Of Jesus” which ducks in the backdoor and actually outdoes its predecessor with a New Orleans-styled jam. Her rock is just as convincing in Feeder-like “World Without You” and the balls-out “Broken And Ugly” – then there is the delicate beauty of “Lifetime”. Poetry with symmetry.

Website:
Beth Hart, Koch Records
 
Review by Todd Smith http://www.thecutting-edge.net/
 
[includes/bottom_new.html]